In this project, I continue my exploration of Truchet tiles, but I transfer them into a more dramatic, almost ritual visual space. If in previous works I was interested in the colour memory of interiors, architecture, and nature, here I turn to an extreme contrast: gold acrylic on a black support.
The black surface becomes not a background, but a space of silence, depth, and the unknown. Gold, applied over it, works as a line of light, as a trace of movement, as a visual impulse emerging from darkness. In this combination, a tension appears between the material and the symbolic: gold is perceived at once as physical paint, as an architectural accent, as a sign of value, and as energy moving across the surface of the image.